10-1. “Womanhouse” was overseen by which two artists?
a. Judy Chicago and Linda Nochlin
b. Judy Chicago and Carolee Schneeman
c. Carolee Schneeman and Miriam Schapiro
d. Linda Nochlin and Griselda Pollock
e. none of the above
10-2. _______ was an important part of early Feminist art practice.
a. satire
b. spirituality
c. crafts
d. collaboration
e. all of the above
10-3. According to the author, which artist pursued the “denial of visual pleasure”? 
a. Karen Finley
b. Mary Kelly
c. Barbara Kruger
d. Cindy Sherman
e. none of the above
10-4. According to the author, many second-wave feminist artworks were ________.
a. text-based
b. about gender
c. focused on goddess spirituality
d. a and b
e. none of the above
10-5. The 1955 Montgomery bus boycott was sparked by _________. 
a. Rosa Parks
b. Susan B. Anthony
c. bell hooks
d. all of the above
e. none of the above
10-6. _______ quilt paintings are a modern variation on the tradition of history painting.
a. Lorna Simpson’s
b. Pat Ward  Williams’s
c. Adrian Piper’s
d. Betye Saar’s
e. none of the above
10-7. _________ uses computers and video to confront the history of the Atlantic slave trade.
a. Lorna Simpson
b. Pat Ward  Williams
c. Adrian Piper
d. Betye Saar
e. none of the above
10-8. _______ uses her ambiguous racial appearance as the basis for many artworks.
a. Lorna Simpson
b. Pat Ward  Williams
c. Adrian Piper
d. Betye Saar
e. none of the above
10-9. During the colonial period, most of Africa was ruled by
a. Latin American countries
b. the  Soviet Union
c. the United States
d. European countries
e. none of the above
10-10. ______ revived the miniaturist style of the Mughal empire.
a. Shelly Bahl
b. Shahzia Sikander
c. Annu Mathew
d. a and b
e. all of the above
10-11. _________ deals with themes of migration in his work
a. Kcho
b. Raul Cordero
c. Albert Chong
d. a and b
e. all of the above
10-12. Multicultural identities combine different
a. nationalities
b. ethnicities
c. religious traditions
d. a and c
e. all of the above
10-13. Which 1993 exhibition represented a “high water mark” for identity art?
a. Documenta
b. Venice Bienalle
c. Whitney Biennial
d. Lyon Biennial
e. none of the above
10-14. ________ became symbolic of the culture wars in the USA in 1990.
a. Karen Finley
b. John Dugdale
c. Robert Mapplethorpe
d. a and c
e. all of the above
10-15. Hybrid identities have been explored by __________.
a. Robert Novak
b. James Luna
c. Rowland Evans
d. a and c
e. none of the above